Thursday, 9 July 2015

The Phantom - First Super Hero & Mandrake the Magician - The Lee Falk Comic Strips and Walt Disney + World of Cartoons



The Phantom - First Super Hero  &  Mandrake the Magician – The Lee Falk Comic Strips and  Walt Disney + World of Cartoons 





Since the debut of the prototypal superhero Lee Falk's The Phantom in 1936 followed by Superman in 1938, stories of superheroes — ranging from brief episodic adventures to continuing years –long sagas — have dominated American comic books and crossed over into other media.

 
In modern popular fiction, a superhero (sometimes rendered super-hero or super hero) is a type of heroic character possessing extraordinary talents, supernatural phenomena, or superhuman powers and is dedicated to a moral goal or protecting the public.



As a kid I used to wait for the morning daily news paper.  As soon as the newspaper boy riding the bicycle drops the morning daily, I used to run to my residence compound gate to get it first before anyone else.   My bungalow had a compound wall and gate two hundred meters away from my ancestral chair in the portico next to the car porch and garden.

My curiosity was to see the cartoons and first thing I used to look for was the Phantom page and then the Mandrake the Magician the popular comic strips everyday the daily newspaper  carried.  As I can recollect the Phantom was my first super hero before the arrival of Superman, Flash Gordon, Batman, Birdman and Spiderman - the modern day super heroes.

Lee Falk, born Leon Harrison Gross, was an American writer, theater director and producer, best known as the creator of the popular comic strips The Phantom and Mandrake the Magician.

The Phantom the King of Jungle was the nemesis of evildoers everywhere.  Phantom the ghost who walks with his heyna was the fear factor and destroyer of evildoers. Phantom used to roam around the jungle on horseback in search of his victims or villains.


 

                                             



                                                  

                                            





The Phantom had a lady love called Diana.  She is an adventurous woman from a wealthy family.
You could be a child or a man who likes the comic strips and cartoons depicting adventurous heroes flashing the guns or magic wanton.




Mandrake the Magician is a syndicated newspaper comic strip, created by Lee Falk. Its publication began June 11, 1934. Phil Davis soon took over as the strip's illustrator, while Falk continued to script.

Mandrake’s Assistant Lothar and sweetheart Betty were the other protagonists of Mandrake the Magician comic strips.
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Lee Falk – Biography













·  Died: March 13, 1999, Aged 88 years,  New York City, New York, United States
·  Children: Conley Falk, Diane Falk, Valerie Falk


Lee Falk, born Leon Harrison Gross (April 28, 1911 - March 13, 1999), was an American writer, theater director and producer, best known as the creator of the popular comic strips The Phantom (1936–present) and Mandrake the Magician (1934-2013). At the height of their popularity, these strips attracted over 100 million readers every day. Falk also wrote short stories, and he contributed to a series of pulp novels about The Phantom.
Falk was born in St. Louis, Missouri, where he spent his boyhood and his youth. His mother was Eleanor Alina (a name he later, in some form, used in both his Mandrake the Magician and The Phantom story lines), and his father was Benjamin Gross. Both of his parents were Jewish. Lee was born and raised Jewish. Benjamin Gross died when Falk was just a boy, and after a time, his mother Eleanor married Albert Falk Epstein, who became the father figure for Lee Falk and his brother, Leslie. Falk changed his surname after leaving college. He took the middle name of his stepfather, but "Lee" had been his nickname since childhood, so he took that name also. His brother, Leslie, also took the name "Falk".
When Falk began his comic strip and comic book writing and drawing career, his official biography claimed that he was an experienced world traveler who had studied with Eastern mystics. In fact, Falk had simply made it up in order to seem more like the right kind of person to be writing about globe-trotting heroes like Mandrake the Magician and The Phantom.  His trip to New York City to pitch Mandrake the Magician for publication by the King Features Syndicate was at that time the farthest that he had traveled from home in St. Louis. In later life, however, he became an experienced world traveler for real - at least partly, he said, to avoid the embarrassment of having his bluff inadvertently called by genuine travelers wanting to swap anecdotes.
Lee Falk married three times, to Louise Kanaseriff, Constance Moorehead Lilienthal, and Elizabeth Moxley (interestingly, he married Elizabeth, a respected stage-director, not long before he decided to depict the marriage of The Phantom to the character's longtime girlfriend Diana Palmer in Falk's The Phantom comic strip). Elizabeth also sometimes helped him with the scripts in his later years. She even finished his last The Phantom stories after he died. Falk became the father of three children, Valerie (his daughter with Louise Kanaseriff), and Diane and Conley (his daughter and son with Constance Moorehead Lilienthal).
Falk died of heart failure in 1999. He lived the last years of his life in New York, in an apartment with a panoramic view of the New York skyline and Central Park; he spent his summers in a house on Cape Cod. He literally wrote his comic strips from 1934 to the last days of his life, when in hospital he whipped off his oxygen mask to dictate his stories. However, new episodes of The Phantom, and also Mandrake the Magician, are still being drawn by others, both as comic strips and in comic books (with the newest addition to The Phantom coming from Moonstone Books). New movie and TV versions of his comic strip characters are also reported to be forthcoming.
His interment was in Brooklyn's Cypress Hills Cemetery.


Creation of Mandrake the Magician and The Phantom

 

 

 

 

 

 

 

 

Cover of Falk's novel The Story of the Phantom: The Ghost Who Walks. Drawn by George Wilson.

Falk had had a fascination for stage magicians ever since he was a boy. Falk, according to his own recollections, sketched the first few Mandrake the Magician comic strips himself. When asked why the magician looked so much like himself, he replied, "Well, of course he did. I was alone in a room with a mirror when I drew him!".
The Phantom was inspired by Falk’s fascination for myths and legends, such as the ones about El Cid, King Arthur, Nordic and Greek folklore heroes and popular fictional characters like "Tarzan" and "Mowgli" from Rudyard Kipling's The Jungle Book. He was fascinated by thugs of India and hence based his first comic on phantom as "Singh Brotherhood". Falk originally considered the idea of calling his character "The Gray Ghost", but finally decided that he preferred "The Phantom". Falk revealed in an interview that Robin Hood, who was often depicted as wearing tights, inspired the skin-tight costume of "The Phantom", which is known to have influenced the entire superhero-industry. In the A&E Network's Phantom biography program, Falk explained that Ancient Greek stone busts inspired the notion of pupils of the eyes of "The Phantom" not showing whenever he wore his mask. The old Greek busts had no eye pupils, which Falk felt gave them an inhuman, interesting look. It is also probable that the look of "The Phantom" inspired the look of what has today become known as the "superhero".
Falk originally thought that his comic strips would last a few weeks at best. However, he wrote them for more than six decades, until the last days of his life.

Theater

Falk's next large passion after cartooning was the theater and stage plays. During his lifetime, Falk ran five theaters, at one time or another, and he produced about 300 plays, and also directed about 100 of them. Falk wrote 12 plays, including two musicals: Happy Dollar and Mandrake the Magician, which were both based on his comic strip character. After Falk's death, his widow Elizabeth directed a musical called Mandrake the Magician and the Enchantress, which was written by Falk, and which was practically the same as his previous Mandrake the Magician musical. Some of his plays drew well-known actors and actresses such as Marlon Brando, Charlton Heston, Celeste Holm, Constance Moore, Basil Rathbone, Chico Marx, Ethel Waters, Paul Newman, Ezio Pinza, James Mason, Jack Warner, Shelley Winters, Farley Granger, Eve Arden, Alexis Smith, Victor Jory, Cedric Hardwicke, Eva Marie Saint, Eva Gabor, Sarah Churchill, James Donn, Eddie Bracken, Ann Corio, Robert Wilcox and Paul Robeson to perform in them.
The actors and actresses were all paid for their work, but many of them worked on small fractions of what they would normally earn with their movie work. Falk was proud to state that Marlon Brando had turned down an offer of $10,000 a week to act in Broadway plays, in favor of working for Falk in Boston in the play, Arms and the Man. In 1953, Brando's contract for Falk's play paid less than $500 a week.

Awards and recognition

Falk won many awards for his dedication to the field of writing for comics and theatre. Here are a selected few of them:

  • Yellow Kid Award (de) (1971)
  • Roman Lifetime Achievement Award
  • Adamson Award for best foreign comics creator (Sweden, 1977)
  • Golden Adamson (Sweden, 1986)
  • National Cartoonists Society's Silver T-Square Award (1986)
  • In May 1994, his birthplace St. Louis honored him with Lee Falk Day.
  • In 2013, he was entered into the Will Eisner Hall of Fame.
On the occasion of the premiere of the movie, The Phantom, which starred Billy Zane, Falk was congratulated by letter from President Bill Clinton with his best wishes.
Lee Falk has also been a candidate for a star on the St. Louis Walk of Fame many times, and was so honored in a ceremony on what would have been his 104th birthday, April 28, 2015.


Lee Falk, like the characters he created, has been a world traveller, who has visited Europe, China, Japan, India, and South America. He has used all these journeys to generate ideas for stories. Somehow he managed to keep up with writing his scripts for Mandrake and The Phantom -- even if it meant taking his work with him.
Lee told a funny story about the subject of his travelling: "As soon as I began writing Mandrake for King, their publicity department requested a biography from me. Up until that point, I hadn't done much of anything except grow up, so I manufactured a great tale to satisfy them. I wrote that I was a world traveller, that I had met with the magicians of the east and had been initiated into all their mysteries, etc.
"In reality, I'd just been in Missouri and Illinois - and that's about it. But when I came to New York, most of my friends turned out to be in the newspaper business, so I began to know foreign correspondents. They were a very glamorous bunch, the stars of the newspaper world. In those days, people didn't travel very much, so the foreign correspondents were like movie stars. Naturally, these men had travelled a great deal, and they soon read about Lee Falk, world traveller, in King's publicity releases.
"They began to tell me about that little restaurant in Venice, or that great bistro in Paris, expecting me, of course, to regale them with stories of some of my own favourite hangouts abroad. Naturally, I had to bluff my way through these sessions, so I began to travel in order to catch up with my own autobiography! I travelled and travelled and finally caught up with my bio, and even went ahead of it. Believe me, this is a true story! Finally, the King publicity department sent out releases telling the truth about my original bluff and how I resolved it."

The Avon Novels


In the early 1970's, Lee Falk was approached by Avon Publications with an interest in producing a series f Phantom novels. "They wanted me to write a novelization of the strip every two months! At that time, I was not only doing both strips, but I was very active in the theatre. I had five of my own theatres, some of them with stock companies, and I was writing and directing plays. I told them I could do the first one. I took one of my stories and wrote about The Phantom's trip to Missouri as a boy to become educated, and how he had to return to the jungle to take over as The Phantom. Then they got some other writers, and I gave them proofs of my original stories, and they wrote some of them up. Every six months I would do one myself, so in the course of a few years, I did five. I'm rather proud of them, worked hard on them and I think they're rather good. I was very disappointed in the others. I gave them the stories, but they did a hack job. I told them to take my name off them. If it's good, I want credit - but if it's lousy and I didn't write it, I don't want it."
This requirement to provide author credit eventually caused the demise of the Avon novel series. The book which was to become the last in the series, The Curse of the Two-Headed Bull (#15), was written by Lee Falk. However, in early printings, the author credit was given to Carson Bingham. This incensed Falk and he instigated legal action against Avon. A second edition of the book was produced in which Falk was given appropriate credit as the author, but no more books were subsequently written for the series.

Public Recognition

 

 

 

 

 

Lee Falk received a special "Yellow Kid" award (shown above) at the 1971 Comics Conference in Lucca, Italy, and has received many other tributes during his long career. "I was in Rome three years ago and was presented with their Lifetime Achievement Award by their Minister of Culture. They held a big press conference because the award had never been given to a cartoonist or anybody in the cartoon world. It had previously been given to people like Federico Fellini and the mayor of Paris. From there I went on to the big comics festival in Lucca where they made a very big deal out of the award because they felt it elevated the whole field of cartooning."

In May 1994, he was honored by his hometown St. Louis, with his very own Lee Falk Day. "I was in town for a comics conference," he explains. "I have a slide show called The Golden Age of Comics, which includes pictures and the history of comics from the Yellow Kid in 1895 up to the strips of the 1950s such as Peanuts. At that slide show, they announced that I was being honored and presented me with a beautiful certificate, which I have in my home."

 

Writing for Comic Strips

"Writing plays is a very definite craft - it's like building a cabinet - you just don't write it, you've got to know how to build it. You have to know about entrances and exits, how a scene works, how lines sound, etc. And I think the art of writing a comic strip is closer to the theatre and to film technique than any other kind of writing I know. When I do my stories for Mandrake and Phantom, I write a complete scenario for the artist, in which I detail the description of the scene, the action and the costumes. If new characters are being introduced, I write their descriptions and the dialogue for each panel. With such a scenario in front of him, a cameraman could take this and shoot it or an artist can take it and draw it.
"The first thing you have to do is to get a good story and the only way you know whether you have a good story is if you like it yourself. Strips like these are read by all kinds of people all over the world and you couldn't possible know what would please or displease all of them. I have to follow my own taste because there's nobody else around, and I don't go to a lot of people for opinions because I'd get too confused. I've found that if I'm getting bored with a story, it's time to cut it off pretty fast. Of course that's not always true - sometimes the stories I like the best are not favorites with readers - but generally I try to please myself. I've raised three children and I used to try out stories on them - I could tell when their interest was flagging that the story was getting boring.
"Each artist, out of his own interests and imagination, creates his own world in his strip - this is true of Peanuts, Beetle Bailey, Popeye, all good strips. And you accomplish this not by imitating others - you come up with your own idea. To me, The Phantom and Mandrake are very real - much more than the people walking around whom I don't see very much. You have to believe in your own characters.
"We don't discuss sex -- religion and politics is very minimal. My only politics is up with democracy and down with dictatorships. Down with human rights violations. Down with torture. This kind of thing which I do in both strips. So there's no complaint about it. I don't go into anything like Doonesbury, although I think he's very clever, but that's not my stuff at all. My feeling is that they belong on the editorial page and a comic strip to me is pure entertainment.
"I can't write a story for Mandrake that The Phantom could do. Mandrake is stiffer, elegant. The Phantom is a very easy, laid back guy. He may look like an unusual person with the Skull Cave and the mask, but he's a very normal man who happens to be a super-athlete. When you shoot him he hurts and when you hit him he falls down, and so forth. He has a good sense of humor and Mandrake has sort of a sense of humor but he's a little more formal. These are very strong men and I feel that I'm the chronicler who's writing down their adventures and they go ahead and do what they have to do, which is kind of an odd idea, but I sometimes feel that they're going their own way and I'm just writing it down. Just as the Phantom keeps his own chronicles in the Skull Cave, I keep the chronicles of both of them."

Saif Ali Khan and Katrina Kaif starrer Phantom

The Phantom title of a forthcoming bollywood movie is interesting.  The movie stars bollywood super stars Saif Ali Khan and Katrina Kaif in the lead roles.  The movie is directed by hit maker film director  Kabir Khan and is slated to release on August 28, 2015 (USA).  The producer of the film is Sajid Nadiadwala.
The plot of the movie is an Indian counter-terrorism drama film about post-26/11 attacks in Mumbai, and global terrorism.

                        
                                         










When you discuss comic strips heroes and animation series movies it is essential and unavoidable to mention Walt  Disney cartoon series and  most popular animation series from Walt Disney Co.  The contribution of Walt Disney to cartoons and animated movies are exemplary.











Walt Disney World
Theme park in Bay Lake, Florida
·  ·  The Walt Disney World Resort, informally known as Walt Disney World or simply Disney World or shortly WDW, is an entertainment complex in Bay Lake, Florida, near Kissimmee, Florida and is the flagship of Disney's worldwide theme park empire.
·  ·  Address: Walt Disney World Resort, Orlando, FL 32830, United States
·  Phone: +1 407-939-5277
·  Founders: Roy O. Disney, Walt Disney





 WALT   DISNEY












                     




Walter Elias "Walt" Disney was an American entrepreneur, cartoonist, animator, voice actor, and film producer.
·  ·  Born: December 5, 1901, Hermosa, Chicago, Illinois, United States
·  Died: December 15, 1966, Aged 65 years Burbank, California, United States
·  Spouse: Lillian Disney (m. 1925–1966)



 
                

The famous Disney cartoons are -
·         Pop Eye The Sailor
·         Ice Age 
·         Tom & Jerry   
·         Shrek
·         Snow white and 7 dwarfs
·         Madagascar
·         Lion King
·         Avenger series
·         Hercules and Xena
·         Allice in Wonderland
·         Hotel Translyvania
·         Peter Pan
·         The Little Mermaid
·         Robots
·         The Magic Riddle
·         Swan Princess
·         Hulk
·         Jungle Book
·         Cindrella
·         Teenage Mutant Ninja Turtles
·         Happy Feet
·         Tappy  Toes
·         Planet of the Apes
·         Alladin
·         Toy Story
·         Fantasia
·         Pinocchio
·         Aristocats
·         Pogo









The Walt Disney empire started it all with famous cartoon character Mickey Mouse.

Archies Comics are also famous.

“Bobanum Moliyum” an animation series created by Toms  published in Malayalam Manorma Weekly was very popular amongst mallus.
Abu Abraham, Ajit Ninan, Yesudasan, O.V.Vijayan and G. Aravindan were other popular mallu cartoonists.
Weekly, Fortnightly, Monthly magazines and tabloids used to publish cartoons or animation series.  Some of the popular cartoons were made as successful motion pictures.


Mumbai or Bombay, India produced notable  cartoonists like R.K. Laxman (Times of India), Ajit Ninan (TOI), Bal Thackeray  (The Free Press Journal & Saamna) and Mario de Miranda (The Illustrated Weekly of India & TOI).  These cartoonists  were the most  popular Indian cartoonists.

R. K. Laxman


          





             







Mr. R.K. Laxman’s  cartoon character ‘the common man’ was very popular  and TOI front page cartoon ‘You Said It’ was a contemporary political satire which was very meaningful  and delighted the  TOI readers.  Everyday beginning 1951 this cartoon was a regular in TOI.  R.K. Laxman worked only half an hour in his TOI office cabin and was paid handsomely for that.  Laxman’s were genius strokes with his pencil.  Laxman (October 24, 1921-January 21,2015) was a great Indian cartoonist.

  Rasipuram Krishnaswami Iyer Laxman was an Indian cartoonist, illustrator, and humorist.
  Born: October 24, 1921, Mysore
  Died: January 26, 2015,  Aged 94 years Pune
  Spouse: Kamala Laxman (m. ?–2015), Kamala Kumari (m. ?–1960)

The world of cartoon characters are a childhood well spent.  Some of the model cartoon characters always remain in a person’s memory until his tryst with destiny of death.  Humor is the spice of life including the abstract one and it compelled me to write this Blog.

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